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Here the casting, characterization and direction is impeccable as well as the original music score including verses from Baudelaire’s «Poison». But most intriguing is that the «willing suspension of disbelief » that normally makes cinema narratives so compelling is itself notably suspended. Because now we are no longer in a fiction, this is the real and our attention drifts directly into a second & third degree, all eyes locked directly on this seemingly demure radiant girl, who is she? Why and how did she come to participate in this scene of such exquisite sexual intensity?… Subversive and contemporary to say the least, after this new masterful, mellifluent demonstration (successfully explored for 20 years by the photo-filmmaker!) it is high time to bring the expression ‘The Third Way’ into the twenty-first tongue!